- STOP MOTION PRO ECLIPSE CANNOT CONNECT TO CANON DSLR HOW TO
- STOP MOTION PRO ECLIPSE CANNOT CONNECT TO CANON DSLR TV
I do not want it to be too bright under the basket and too dim at the top of the key. So augmenting the light from slightly above and behind the basket is going to help it out a lot.įlashes greened, another test pop shows that I am pretty balanced at 1/4 power with a 50mm beam spread (at ASA 640 at a 250th of a sec.) One very important thing to note is that I am not pointing the flashes down at the players so much as skimming them at head height. But it is coming from a bad direction (top down) if you are on the hardwood under the basket shooting up. Need secure lights to a railing? Just whip out your good friend, "Abraham Lincoln," and see if he can persuade the guy in the orange apron to hook you up with the parts for a remote mounting system.īack to the ambient, it's not that it is all that bad in this gym. Even more impressive is that I paid for the clamps, bolts and nuts in cash, baby. Yep, in the big leagues no expense is spared in the mounting of lights. Now, the umbrella brackets mount right on the clamps. A little gaffer's tape to strengthen the clamp even more and you are out the door for well under $2.00. Then I attached the spare 3/8" stud that comes on the Dot Line umbrella brackets I bought from MPEX. (I assume the green ones are not ripe yet, and thus 1/4 the price.) I modded them by adding another 37 cents worth of 1/4 x 20 bolt and a couple of nuts. The orange ones are the same size, but cost $3.99. I use the cheapo, lime-green Home Depot clamps - just 99 cents each. So I greened a couple of SB's and clamped them to the railing. "Close enough for government work" is all you are gonna get here, so I set the camera to fluorescent and shot another. Looked greenish - reasonably close to fluorescent. I shot an available light shot from the 2nd-floor walk with the camera set to daylight balance and chimped the result. So here's how (one way at least) to do it.įirst things first: Assess the ambient light color. But where's the fun in that? Besides, there is a second floor walkway with a railing about 25 feet behind each basket that was just begging for SB's. Ditto politicians.)Īctually, I could have shot available light with little problem.
STOP MOTION PRO ECLIPSE CANNOT CONNECT TO CANON DSLR TV
(Universal truth: There is nothing a college will not do to facilitate more TV coverage. Seems TU had been getting more TV coverage, so they shelled out for more sodium vapes.
![stop motion pro eclipse cannot connect to canon dslr stop motion pro eclipse cannot connect to canon dslr](http://www.urban75.org/blog/images/comacchio-ferrera-italy-33.jpg)
When I arrived, the ambient lights were better than I had remembered. In this case, my flashes were not powerful enough to nuke the ambient, so I decided to enhance the ambient a little. Instead of using the strobes as the main light and the ambient as fill, I am gonna use the ambient as main and the strobes as fill.ĭo not be biased for one method over the other. What I am doing is different than the way I usually shoot hoops.
![stop motion pro eclipse cannot connect to canon dslr stop motion pro eclipse cannot connect to canon dslr](https://www.dragonframe.com/camera-images/nikon_d60.jpg)
So we'll set the Duke Nuke'em flashes aside for the moment.
STOP MOTION PRO ECLIPSE CANNOT CONNECT TO CANON DSLR HOW TO
Smart photogs work out agreements with arenas and then rent out the lights (when they do not need them) to help cover the up-front costs.īut this article is about how to use the little flashes. The big lights are great if they are (a) aimed well and (b) you can justify the money for installing them in an arena.
![stop motion pro eclipse cannot connect to canon dslr stop motion pro eclipse cannot connect to canon dslr](https://petapixel.com/assets/uploads/2017/06/redweapon8kfeat-800x420.jpg)
You can disregard the ambient light color temp, as the strobes totally trump the sodium vapes.Even bounced off of the ceiling (the Towson coach nixed the direct lights) they give you a solid 2.8 at ~ASA 400, everywhere on the court. This also makes for a good time to compare what you can do with a couple of hot-shoe flashes, vs a few thousand watt-seconds (and dollars) of AC-powered, permanent strobes.īefore we get into specifics, let's look at the advantages of the two different systems: So I decided to use two Nikon SB flashes to augment the house sodium vapor lights in the gym. In fact, as the local metro daily shooter, I am pretty sure the fine folks at Towson University's sports info department would let me (a) bump Patrick off of the lights, and (b) order him to be wash my car in the parking lot while I am shooting the game. (Patrick is a photographer for Towson U's newspaper, The Towerlight, specializing in shooting sports and beer.)įor the record, we have the rights to use the university's house lights, too. I knew Strobist reader Patrick Smith would be there, and I knew he would be using the school's house strobes. Saturday, I shot the Towson/Drexel men's college basketball game for The Sun.